Hiking along Trent-Severn Waterway in Peterborough
Outdoor Ontario

Hiking along Trent-Severn Waterway in Peterborough

Charline

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It's likely that you have been to Peterborough, Ontario. Have you hiked the Trans Canada Trail along the Trent-Severn Waterway?


I went there last weekend, in the hope to see the fall colors. It was too early. I still filmed some scenic and iconic places from Little Lake to Locks 20 and 21. The fall colors could be very beautiful according to my past visits.


https://www.youtube.com/watch?v=hmcRMjmNyUw







Shortsighted

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Looking at the stylized map of the Trent Waterway and reading those place names brings back images and memories.  I thought that Little Lake was in Haliburton County.  A close friend of my father routinely rented a cottage, the same cottage, every summer on what I thought was Little Lake, so named because it was indeed small.  Its not that it strikes a visitor as decidedly diminutive upon gazing across its expanse but it was too small for this pseudo-uncle to full-out ram the throttle to the stop on his home-made boat that was outfitted with a 80 hp motor.  This was in the 1960's when 80 hp was a big deal.  He was forever fiddling with the outboard Mercury motor in order to get extra speed.  If the throttle did hit the metal it immediately had to be throttled-back otherwise the boat travelling at 100 kph would run out of lake, hence Little Lake.  So, bottom line is that I must have been mistaken about the name of the lake after all these years.

I'm glad that you are feeling well enough to gadabout.  I like the close-up shots of rusted steel work, and even the asters/fleebane wildflowers, a very necessary ingredient to refresh the viewer's eyes.  If possible, the distance shots might have greater panache if you can adjust the aperture down to two-thirds of an f-stop.  This would negate the washed-out look, provide more contrast in mid-day light and increase apparent colour saturation.  That's what they do on film shoots.  I agree with you as well about the interest inherent in patterns that most people might miss and which can be better featured with a camera.  There are patterns everywhere.  Like me, giving advice, about things I know little about.  I guess that you've seen that pattern, but I know that you like patterns.  Remember, those that can do ... do, while those that can't ... are critics.


Charline

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Thanks for sharing your memories and musings.

I was shooting in the late afternoon. The sky became overcast when I reach the canal. Otherwise the location could be very pretty. The GoPro is working on auto-pilot. I am not very good at video editing yet.

Since you are generous in giving advice, if you, and the others, can help me with two questions.

1. Do you find the video boring? I am not a good story-teller. Maybe I should work harder on my story-telling skills. Any suggestions?

2. I came to Canada in the late 80s, but I still cannot pronounce with the perfect accent. Do you think that my accent turns the viewers off? Sometimes my videos got laughed at because of my accent. Other times some kids tried to bully me because my voice might sound younger than my actual age.

I am ok to be laughed at. But I don't want to turn people off if I can improve my videos. I wish to make more interesting videos. Any suggestions?

I wonder whether or not my contents and/or accent are preventing more people from watching my videos. I would appreciate your honest feedbacks.




« Last Edit: October 03, 2024, 10:37:48 AM by Charline »


Shortsighted

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You've asked profound questions, I think, and have already begun to answer them as your gut directs you.  No one can seriously edify you about how to make gripping videos because you either already know what is working while site surveying, or you are emotionally entangled with the subject.  Two notes of advise I can safely offer: (a) if you have a passion for photography & videography then keep at it, no matter the obstacles or the derision that might lie to either side of the gauntlet of personalities you encounter along the way; (b) by all means present a video as a story if you can leverage that angle, but still more important is to make it sympathetic to the essential elements that make us all human and the best way to do that is to highlight what appeals to you, and why.  A story needs a narrative and have a time-line (order) but it must also have a surprise now and then.  If it manages to engage a mystery, well then you are an alchemist.  Everyone loves a little mystery with their experience.

Most of the film industry labours to make feature films weighed-down by specious plots and quotidian dialoque that begs the viewer for credibility and this shortfall is somewhat compensated for by the talents of a good film crew.  They usually don't film at mid-day because the light is uninteresting.  That's why I suggested adjusting the internal diaphragm setting of the Go-Pro to deliberately under-expose 2/3 of a stop.

Why do you choose a particular place to visit and journalize?  It must mean something to you, I presume.  What does it mean to you?  Is that meaning (which other might share) reflected in your narration and image capture?  Most films have narration added later ... in  post, with perhaps some snippets of live audio comment added.  I find you voice calming, but the accent can be distracting to anyone with a different accent.  If you write a script you might consider an overall second party narrator with a neutral accent.  Meryl Streep has some down time coming up. There is no such thing as no accent. 
   
It is very difficult to expect a viewer to remain interested in a video about a location that is being embellished beyond its worth.  If there is something special there, or going on there, then zero in on it as if your life depended upon doing so.  Early morning, and very late afternoon is when painters paint, and I'm not talking about house painters.  Landscape photographers, like birders, know the advantage of an alarm clock ... he said, expecting to be laughed at ... who still uses an alarm clock in the digital age ... shut up ... I do.  Why, because an alarm clock is air-gapped.  The only time it is online is when it is on my line of sight.


Charline

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Hey, SS, thanks for your reply.  You have some good advice.


As I said, there is no way to adjust a GoPro's aperture and shutter unless it is a night shot. I did not shoot in the mid-day, it was overcast.


Leaving the camera's technical aspects aside, please let's focus on my contents and accent.


One of the options is to use an AI generated voice. Personally I hate AI voices. I am not making a cent so it doesn't make sense to hire a narrator.


Since I cannot change my accent, one of the options is to make my story more interesting. Does it make sense?
« Last Edit: October 03, 2024, 12:12:27 PM by Charline »


Shortsighted

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I hear you, boss.  Whether something garners interest is dependent upon the listener.  People are generally interested in things they know something about.  The educated and edified know more, the rest know less but still care about what they do know.  The default position is to appeal to as many people as possible but this approach comes with the caveat that the masses are the worst possible audience.  They are fickle, jaded, wrapped up in self-interest, slaves of trends and 'Influencers' instead of being free-thinkers.  You can never be all things to all people.  Once again, concentrate on what turns you on, without feeling embarrassed about it, and without checking with the general consensus to see if your idea has merit.  If it has merit to you then it has merit ... period.  I find lots of things interesting, have felt that way all my life, but the things that I find interesting have very little purchase with the minds of the masses.  The more popular something might be in our society the less I am likely to find it interesting.  Trending means nothing to me.  Mob mentality ... a bore. 

There are only so many stories.  The ancient Greeks and then the copy-cat Romans created most of the stories of man a long time ago.  Those stories were repeated and embellished by Shakespeare.  We are still rewriting the same stories, using different actors and stage settings.  Those stories have endured because they reflect what it is to be human, both the good and the bad.  There are three modalities that have also endured:mystery, adventure and comedy.  There is mystery everywhere if one chooses to delve deeply enough but the work required to appreciate those mysteries is something the public is not wont to undertake.  Some peoples idea of an adventure is done with drugs.  Others must have a prize at the end of the adventure in order to give it worth ... like shopping in a new and exotic location.  Comedy might seem like a sure thing, from tragic-comedy to slap-stick.  Those that do not laugh die young and don't mind it.  Even comedy is complicated.  Comedy can be a metric in society.  If clever sophisticated humour goes over well then society is likely to be well-informed, urbane, cosmopolitan.  Slap-stick and situational comedy with complete standing.  To do any of this in a short video would require chops.  That's why I say ... just stick with what you care about.  It's a tall order to arrive at a location and immediately know what is special about it.  You need to film what you already know well.  If it is a new locale, then really get to know it, like a native, before committing yourself to create a chronicle, or video portrait.  It's the same with still photography.  You can't just arrive on a new scene and know what's cogent.  Spend a few days, weeks, months and then perhaps you know what is important about the place and what people will be in sympathy with.  Watch the people, watch behaviour all around you, look for quirks and humour, look for colour, juxtaposition, patterns, something odd and when that doesn't work, well, then fake it until you make it.
OMG!  I go on and on and on and yours was but a rhetorical question.  I'm so sorry.  Tie me up and beat with a tennis racket.  I will go away now before I embarrass myself even more.
 


Charline

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Thanks again. I got what you said about the contents.

The world is changing, it has become very fast paced. Agree or not, we just have to adept because the clock will not go backwards. You said you found my voice calming, is it too slow paced? It is a struggle to film and talk.

Unlike making a movie, what we post on social media, including here, is sharing our genuine experience and feelings. A lot of videos go viral by just opening a box of toy. If you have the knowledge, that's great. My problem is that I am neither knowledgeable nor a good story teller.

I also fear that some people will be turned off when they realize that they are not listening to a native speaker. I myself sometimes feel the same. But please tell me honestly, is my voice annoying?
« Last Edit: October 07, 2024, 08:58:56 PM by Charline »


Shortsighted

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I don't find your voice annoying but the accent does effect the English caption, whenever there is one, because the algorithm that performs the task misunderstands your speech, or fumbles upon an error in grammar.  The only thing that bugs me in voice-over is when someone says "ah", or "uhmm" while they are thinking about what to say next.  Even professionals do it and that is inexcusable.  When a narrator is reading a script he/she will always scan way ahead of the text to know what sentence is coming next so that they can modify the actual sentence they are speaking.  In live narration the situation is the same and that is why one MUST know what they are talking about otherwise the narration will fumble the ball. Speaking into a microphone at normal pace and intonation tends to come out as boring on playback.  I learned that a long time ago.  You need to exaggerate your voice, within limits, to convey passion.  Never talk too fast.  Listen to David Attenborough, or Rod Serling when her narrated episodes of Jacques Cousteau for National Geographic, or Carl Sagan when he narrated Cosmos, or Jacob Bronowski when he narrated The Accent of Man ... and he had both an accent and a speech impediment, yet I could listen to him for hours.  He spoke very slowly and passionately and he absolutely knew his subject material.  If you speak as if you're bored then you will be boring.  If you speak as if you're confused or overwhelmed then your listener will feel it a burden to listen to you.  Know your subject, don't embellish unless you're after comedy, and chose your subjects carefully and for a very good reason.  Speak slowly, pause to reflect, change your intonation frequently enough to avoid the dreaded drone because it can cause a lot of damage.  We have quite enough drone technology already ... no one wants yet more of it on a video.  Bronowski used pause a lot, her had no trepidation about doing so, he wasn't in love with his own voice.  I really don't know what else to suggest because, well, because I'm just too boring!   Ask any one.  Is SS boring?  He's the worst, man ... a real snooze, puts me to sleep better than Flurazepam.  The consolation is that at least I'm good at something.  Oh ya, you could always just get smashed and then do the voice-over while intoxicated.  You might not sound any better but you simply won't care anymore.  I didn't just suggest that technique, did I? 


Charline

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Dr. John

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I don't find your narration annoying or boring.  I find your narration authentically you, which is perhaps the most important quality to have.  AI-generated narration is generally bland, impersonal, and off-putting.  I'll take a real person fumbling along over AI, at least in this context.


I agree that narrating in more of a story-like manner is more compelling than not.  However straight reading of a pre-written story can often sound stilted.  Better is to have some idea of what points or vignettes you want to cover and then cover them in a more spontaneous-sounding manner.


Charline

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Dr. John, thank you for your encouragement and advice.


Honestly I did not know my accent was an issue. Now I realize that since the pandemic, I have not carried on the frequent, lengthy and in-depth conversations with my intellectual friends as we used to. It seems to have caused some deterioration of my speech.


An Eastern European photographer has a successful YouTube channel. His English is very good, but with a slight accent. Guess what, he rarely speaks in his videos.


I just got back from a lecture where the whole team of TVO's "The Agenda" held a panel discussion.  In the end, one young man asked how TVO handled the issue of audience retention. The replies were "Don't worry about it, just continue to create."


I had to laugh. For TVO employees, they have the budget and get paid if they do a decent job. For self-financed YouTubers, we have to worry about the returns. Also I don't have the luxury and time (my old age!) to train myself to be a professional narrator.  :-[


I will test different ways, probably not including AI voices. Yes, I will continue to create the imperfect contents.





« Last Edit: October 07, 2024, 09:30:50 PM by Charline »


Shortsighted

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As an online agent you are interested in an audience, "likes" and "hits" not unlike any artist that needs to get paid.  Following the level of your audience instead of the level of your creativity may get you some recognition but at the cost of your soul.  Your audience and peers may help you develop your product as long as it remains your product and hasn't been diluted.  You seemed to have missed one of the best aspects of being old.  The elderly generally no longer give a hoot.  They are no longer racing around trying to please everyone because it's impossible anyway.  Like Bronowski, say very little, say it with feeling, and make it precious, like a poem.  Let the silence between comments be as refreshing as your comments are savoury.  Your enthusiasm is like a breath of fresh air, so let that trickle through your videos and forget about ratings.